Author Archives: Editor

Interview with BSSA 2025 judges, Lucy Luck and Liv Bignold

Our BSSA 2025 judges are Lucy Luck and Liv Bignold from Conville & Walsh Literary Agency,

Lucy Luck started in publishing as an assistant at Rogers, Coleridge & White before setting up her own agency in 2006. In 2014 she formally joined Aitken Alexander Associates and in 2016 she moved to C&W. Her authors have been listed for and awarded numerous prizes including the Rooney Prize, the Orange Prize, the Booker Prize, the Guardian First Book Award, the Irish Book Award, the Costa Novel Award, the Dylan Thomas Prize, the Gordon Burn Prize, the British Book Award Newcomer of the Year, the Kerry Group Irish Fiction Award, the EFG Sunday Times Short Story Prize, the Goldsmiths Prize, the Impac Dublin Literary Award, the Desmond Elliott Prize and the Encore Award.

Liv Bignold joined Conville & Walsh in May 2024 as assistant to Sarah Ballard, having previously spent two years at Curtis Brown supporting Alice Lutyens and, prior to that, Karolina Sutton. She has experience working on books that span all genres, and is enjoying getting to know Sarah’s exceptional roster of authors. Alongside her day-to-day workload, she provides editorial feedback to students enrolled on Curtis Brown Creative courses. Before deciding to pursue a career in agenting, she worked in Contracts at HarperCollins and in Rights at an educational publisher. She holds a first-class honours BA in English Literature from the University of Exeter.

We’re delighted that Lucy Luck and Liv Bignold from C & W Agency have agreed to judge our 2025 Award shortlist. They gave some great answers to team member, Alison Woodhouse’s questions below. Do read if you are thinking of entering our 2025 Award, open now for entries and closing March 31st 2025. Continue reading

BSSA 2025 Open Now!

Our 2025 International Award opens today,Sunday, December 1st and closes on March 31st at midnight BST. Shortlist judges Lucy Luck and Liv Bignold from C & W Literary Agency. Read the interview with them here

First Prize: £1000
Second Prize £300
Third Prize £100
Acorn Award for an unpublished writer £100
£50 in book tokens for Local Prize

£9.00 per entry
Read the rules here
Enter here

Short list Judges are Lucy Luck and Olivia Bignold from C & W Agency

2024 BSSA Anthology of winning and shortlisted stories available soon.

Judge’s report 2024 : By Sophie Haydock

Sophie Haydock

Our big thanks to Sophie Haydock, award winning novelist and shortstory champion, for judging our Award this year and for her appreciation of the form, her general comments on the shortlisted stories and her individual comments on the winners. What great stories! We are looking forward to publishing all of them, the winners and the shortlisted, in our 2024 anthology.

Sophie’s Report Continue reading

Winners BSSA, 2024

Huge congratulations to all our BSSA 2024 winners! Such wonderful and varied stories selected from a very strong field in the shortlist. You can read Sophie Haydock’s comments on the winners’ stories and on the shortlist in general in her judge’s report. You can also read the bios of all the shortlist here

Connor Donahue

First Prize: ‘To Hail the Pale Horse Rider’ by Connor Donahue

Connor Donahue is an aspiring novelist currently pursuing his MA in Creative Writing at Queen’s University Belfast. He received his Bachelor’s Degree in Psychology from The University of Kansas. In his stories, he enjoys writing about monsters, mucking about in dark waters, and fretting about human capabilities. He has previously been published in Intrepid Times and by The BBC, and his latest project is a novel set in a haunted bible college in his home state of Missouri. He misses the BBQ from his home state but does not miss the tornados. He lives and writes in Belfast.

Jane Fraser

Second Prize: ‘The Glitter Path’ by Jane Fraser

Jane Fraser lives, works and writes fiction in a house facing the sea in Llangennith, on the Gower peninsula, south Wales. She is the author of two collections of short fiction, The South Westerlies (2019) and Connective Tissue (2022) both published by SALT. Her debut novel, Advent (2021) was published by Welsh women’s press, HONNO, and awarded the SoA’s Paul Torday Memorial Prize in 2022. Her short stories have been broadcast on BBC Radio 4’s Short Works series.She has a PhD in Creative Writing (Swansea University), is a Hay Festival Writer at Work, and importantly, is grandmother to Meg, Flo and Alice.
X: @jfraserwriter Instagram: @janefraserwriter W: www.janefraserwriter.com

Marie Gethins

Third Prize: ‘Foxed’ by Marie Geth­ins.

Marie Gethins featured in Winter Papers, Bristol Short Story Prize, Australian Book Review, NFFD Anthologies, Banshee, Fictive Dream, Pure Slush, Bath Flash Anthologies, FlashBack Fiction, Jellyfish Review, Litro, REED and others. Awarded B.A.’s in Eng­lish Lit­er­a­ture and Dra­matic Art/Dance from U.C. Berke­ley, an MSt in Creative Writing from the University of Oxford and a PhD in Creative Writing from the University of Limerick. She received a Frank O’Connor Bursary, Banff Center for Arts and Creativity residency and a Hawthornden Fellowship. Selected for Best Microfictions, BIFFY50, Best Small Fictions, she is the flash editor for Banshee and co-edits for Splonk.

Ruth Clarke

Winner of the Acorn Award for an Unpublished Writer of Fiction: ‘Fishing At Pisa Airport’ by Ruth Clarke.

Ruth Clarke lives in Norwich – the ‘City of Stories.’ She began writing fiction last year, taking courses with The Arvon Foundation and National Centre for Writing. This will be her first published story.

Rob Campbell

Highly Commended and also winner of the Local Prize ‘King of the Rec’ by Rob Campbell.

Rob Campbell splits his time between Bristol and Dartmoor and is married with two children. After a career in newspapers and education he began writing fiction and is working on a novel inspired by his PhD in journalism history from the University of South Wales. Rob has been highly commended in the Regional Press Awards for his column which ran in the Western Daily Press for 23 years, and in the Hastings Book Festival for fiction. He writes about art for the Friends of the Royal West of England Academy, and is a mentor for the Longford Trust.

Ben Howels

Highly Commended: ‘Ripples’ by Ben Howels.

Ben Howels hails from Exeter, England. A lawyer for many years, he eventually accepted the inevitable conclusion – that fictional worlds were more interesting than offices.He has previously been published everywhere from Writers Online to Spring Song Press,The Arcanist, and All Worlds Wayfarer. He’s also written three novels, and one day hopes to get them into print.
Ben can usually be found down the gym, hanging/falling off jugs at a climbing wall, or on X/Twitter – @BenHowel

Shortlist Titles, BSSA 2024

Many congratulations to the nineteen writers shortlisted in our 2024 Award. You are welcome to share that you are shortlisted on social media and elsewhere, but as judging is still in process, we ask you not to link your name with your story. Thank you. Final results out August 1st and posted on this website. Continue reading

Shortlist 2024

Many congratulations to all the writers on our 2024 shortlist. You can read judge Sophie Haydock’s general remarks on the list in her judge’s report. We’re looking forward to seeing all these wonderful stories in print in our 2024 anthology.

Sallie Anderson


Sallie Anderson, shortlisted with ‘Everything is Fine on Co-ordinated Universal Time’ is a bookseller living in Gloucestershire. Her stories have been listed and commended in a number of competitions, published in magazines and anthologies, and performed at events like Stroud Short Stories. She’s easily distracted from her own writing by reading and talking about stories and books.

Lynn Bushell

Lynn Bushell, shortlisted with ‘And Then When The War Was Over‘ started writing as a means of subsidising her work as an artist.Her stories have won prizes in The London Magazine and London Independent Story Prize competitions and reached the finals of the Fish Memoir, ChiplitFest and Yeovil short story competitions and she has twice been longlisted for the Commonwealth Prize. Her novel Painted Ladies (2019 Sandstone Press), about the artist Pierre Bonnard, featured in the Bonnard exhibition At Tate Modern. She lives partly in Suffolk and partly in Normandy, where she has a studio.

Finola Cahill

Finola Cahill, shortlisted with ‘What Are You After is a writer and musician from Co. Mayo, Ireland. Her poetry has featured in Propel, The London Magazine, the Honest Ulsterman, and others. She was the 2023 winner of the Waterford Poetry Prize and the 2024 winner of the Listowel Writers Week Single Poem Award. She is at work on her debut collection of poems and a longer work of fiction. This is her first fiction publication.

Debra A. Daniel

Debra A.Daniel, shortlisted with The House on Datura Street is Once Again For Sale has published two novellas-in-flash, A Family of Great Falls and The Roster (AdHoc Fiction), Woman Commits Suicide in Dishwasher (novel), and two poetry chapbooks, The Downward Turn of August and As Is. She’s a Pushcart and Best Short Fictions nominee. She won The Los Angeles Review short fiction prize, received the SC Arts Commission Poetry Fellowship, the Guy Owen Poetry Prize, and awards from the Poetry Society of SC. Work has been longlisted and shortlisted in many contests and has appeared in: Snow Crow, Legerdemain, LA Review, Smokelong, Kakalak, Inkwell, Southern Poetry Review, Tar River, and others.

Susan Elsey

Susan Elsley shortlisted with, ‘421 Words for Snow.’ lives in Edinburgh, Scotland and writes short and long fiction with a focus on people and places. Recent work has been published in Crannóg, Paperboats, The Storms, Fictive Dream, Postbox, and Northern Gravy. She won the Ennis Book Club Festival prize in 2024 and was shortlisted for the Alpine Fellowship Writing Award in 2023 and Moniack Mhor’s Emerging Writer Award in 2019. She is chair of a local literacy trust and has a background in human rights.

Emily Devane


Emily Devane, shortlisted with ‘Erratics’ is a writer, editor, teacher and bookseller from Ilkley, West Yorkshire. Her short fiction has been widely published in journals such as Smokelong Quarterly, Ambit and The Lonely Crowd. She has won the Bath Flash Fiction Award, a Word Factory Apprenticeship and a Northern Writers’ Award. Emily teaches creative writing workshops (@wordsmoor), co-hosts Word Factory’s Strike! Short Story Club and runs regular spoken word nights.

Ingrid Jendrzejewski

Ingrid Jendrzejewski,shortlisted with ‘As Yet Untitled’ studied creative writing and English Literature at the University of Evansville, then Natural Sciences at the University of Cambridge. She currently serves as Co-Director National Flash Fiction Day (UK) and Editor-in-Chief of FlashFlood. She loves shortform writing in all its forms and has won awards such as the A Room of Her Own Foundation’s Orlando Prize for Flash Fiction and the Bath Flash Fiction Award. Her collection Things I Dream About When I’m Not Sleeping was a runner up in Bath Flash Fiction’s first Novella-in-Flash Competition. Find her online at www.ingridj.com and on Twitter @LunchOnTuesday.

Karen Jones

Karen Jones shortlisted with ‘Fair Days’ is a flash and short fiction writer from Glasgow. Her story ‘Small Mercies’ was included in Best Small Fictions 2019. She has won 1st prize in Cambridge Flash, Reflex, and Flash 500 and 2nd prize in Fractured Lit’s Micro Fiction Competition. She has been shortlisted for Bath Short Story Award five times. Her first novella-in-flash When It’s Not Called Making Love is published by Ad Hoc Fiction and her ekphrastic novella-in-flash Burn It All Down is published by Arroyo Seco Press. She is an editor for the National Flash Fiction Day Anthology.

Anna Linstrum

Anna Linstrum, shortlisted with ‘Diana Ball’ began acting professionally when she was fourteen before becoming a theatre director in her twenties, working for nearly two decades in new writing and musicals, in the West End and internationally, until a combination of the pandemic and late motherhood shifted her focus to writing. She has since had three plays broadcast on Radio 4, and her fiction has been shortlisted for The Alpine Fellowship Prize, The HG Wells Story Competition, and longlisted for the Fish Publishing prize as well as (twice) for The Bristol Short Story Prize. She is currently writing a stage play.

Emily Macdonald

Emily Macdonald, shortlisted with ‘Ring-Tin Tin’ was born in England but grew up in New Zealand. She lives in London and works in the UK wine trade. She has short stories, flash and micro fiction published in anthologies and online journals such as Fictive Dream, Flash Frontier, Free Flash Fiction, Raw Lit, Roi Fainéant and The Phare. Her collection of driving related stories, Wheel Spin and Traction, was published in November 2023.

Jay Mckenzie

Jay McKenzie shortlisted with ‘Jellyfish’ is the author of Mim and Wiggy’s Grand Adventure (Serenade Publishing, 2023). Her work has appeared at or is forthcoming in adda, Unleash, Bath Flash Fiction Anthology, Flash Fiction Magazine, The Ulu Review, Reverie, Roi Faineant and other publications. Winner of the Exeter Story Prize and others, she was shortlisted for the Exeter Novel Prize and the Commonwealth Short Story Prize. She is a nomadic Brit who has lived in Greece, Singapore, Indonesia, South Korea and Australia. She lives with her husband, daughter and too many cardigans. Find her at www.jaymckenzieauthor.com or on Instagram @jay_writes_books

Slawka G. Scarson

Slawka G. Scarso shortlisted with ‘First Anniversary’ works as a copywriter and translator. Her words have appeared in Gone Lawn, Ghost Parachute, Fractured Lit and Scrawl Place among others. Her debut novella in flash All Their Favourite Stories is available from Ad Hoc Fiction. Two of her stories are featured in the 2023 Best Microfiction Anthology. She lives in Italy. You can find her on X and Instagram as @nanopausa and on http://www.nanopausa.com

Longlist 2024

Many congratulations to the writers longlisted in our 2024 Award and big thanks to all those from around the world who entered. We have listed only the names of the longlisted writers here, so if they weren’t shortlisted, they can submit their stories elsewhere.

2024 Bath Short Story Award Long List
TITLE AUTHOR
Susan Elsey
Fiona Dignan
Lynn Bushell
Ingrid Jendzrejewski
Jennifer Wawrzinek
Mary Murray Brown
Zoe Owens
Anna Linstrum
Emily Devane
Sallie Anderson
Karen Jones
Slawka G Scarso
Ruth Clarke
Máire T. Robinson
Marie Gethins
Joe Tuck
Andrew Preskey
Emily Rinkema
Maureen Cullen
Liz Houchin
Jennifer McMahon
Jay Mckenzie
Rob Campbell
Phoebe Hamilton-jones
Fiona Mckay
Katherine Marsh
Marie-Louise Mcguinness
John Bailey
Emily Macdonald
Ben Howels
Ruth Guthrie
Jane Fraser
Debra A Daniels
Emma Phillips
Katie Oliver
Pi James
Mary Black
Keren Heenan
Jaime Gill
Connor Donahue
Rebekah McDermott
Katie Piper
Finola Cahill
Joe Wedgbury
Nini Parfitt
Sam Jones

Attend to the Obvious

Our 11th Award ends next Monday, 15th April and if you are a Last Minute writer, like I am when I enter competitons,now’s the time you might be looking over your story. Although I am a regular competition entrant, I don’t always attend to things I should before sending off the entry. Here’s a list for you to look through, if you are like me and would like some quick obvious reminders
Continue reading

On the Importance of Art

This will be my last post here for a while as our competition closes in two weeks and then it’s a busy reading period until the summer when we announce our longlist, shortlist and prize winners.
But today I’ve been thinking about not just why we write stories but some of the reasons we might feel what’s the point?

I’ve just come back from seeing The Human Body, by Lucy Kirkwood. I’ve loved her work previously, especially Chimerica which was utterly brilliant, but her latest ended up irritating me, the second act in particular. It’s always interesting to try and figure out why something jars or doesn’t land right, especially when you usually admire the writer, so I bought the script and read it and I will read it again. I’d thought at first it was because the slightly tragic but generic, sentimental love story took centre stage, away from the (to me more interesting) political theme (the founding of the NHS against a background of both apathy and antagonism, from doctors to housewives) and then, mulling on it later, I wondered if that was exactly her point and my frustration with the play was deliberately provoked. The focus on personal feelings/reactions/responsibilities drew attention away from a desperate need for reconstruction/equality/government and I was (rightly) annoyed by that. Continue reading